FRIDAY, 24.10.2008 |
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| . | Bulgaria hall, cinema hall | Bulgaria hall, foyer | Serdika hall | Rodina hall |
| 19:00-20:45 |
Orville Small & Sabrine Buis !!!special choreography!!! on 1 intermediate-advanced |
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SATURDAY, 25.10.2008 |
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| . | Bulgaria hall, cinema hall | Bulgaria hall, foyer | Serdika hall | Rodina hall |
| 10:00-10:50 |
Salsa Friends & Family wake up surprise all levels |
Thessalsoniki cuban salsa partner work intermediate-advanced |
Malambo bulgarian folk dances all levels |
Salsa Fans on 1 partner work beginners |
| 11:00-11:50 |
Mundo Latino on 2 partner work intermediate-advanced |
Raul Torres rumba all levels |
Agapiou Escuela de Danza flamenco all levels |
Salsa Diva cha cha beginners |
| 12:00-12:50 |
Pambos & Maria on 1 footwork & partner work intermediate-advanced |
Imu Dance Company on 2 partner work intermediate-advanced |
Suerto Rico & Vicky tango all levels |
Amor bachata beginners |
| 13:00-13:50 |
Salsa Galaxy on 1 partner work intermediate-advanced |
Jovan rueda de casino partner work intermediate-advanced |
greek dances all levels |
Salsa Adid beginners |
| 14:00-14:30 | break | |||
| 14:30-15:20 | !!!attempt to break the record for biggest salsa rueda de casino!!! | |||
| 15:30-16:20 |
Dom & Marion* on 1 footwork & partner work intermediate-advanced |
Luis Zegarra* on 2 intermediate-advanced |
Dimitris & Vana on 2 beginners |
Salsa de Cuba on 1 partner work beginners |
| 16:30-17:20 |
Pedro Gomez* on 1 intermediate-advanced |
Manuel Kotaidis & Anita Lombardi* on 1 intermediate-advanced |
Los Pambos on 1 beginners |
Salsa de Fuego cha cha beginners |
SUNDAY, 26.10.2008 |
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| . | Bulgaria hall, cinema hall | Bulgaria hall, foyer | Serdika hall | Rodina hall |
| 10:00-10:50 |
Eloy cuban salsa, animation intermediate-advanced |
Dimitris & Vana on 2 beginners |
serbian folk dances all levels |
Pa Lante on 1 beginners |
| 11:00-11:50 |
Agapiou Esquela de Danza on 1 partner work intermediate-advanced |
Salsa de Cuba on 1 partner work intermediate-advanced |
Bourgas 75 dance club belly dance all levels |
Salsa de Fuego on 1 beginners |
| 12:00-12:30 | break | |||
| 12:30-13:20 |
Dom & Marion* on 1 intermediate-advanced |
Luis Zegarra* NY on 2 footwork & partner work intermediate |
Thessaloniki rueda de casino beginners |
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| 13:30-14:20 |
Willmark* colombian salsa all levels |
Roby G* cuban salsa intermediate-advanced |
Los Pambos on 1 beginners |
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| 14:30-15:00 | break | |||
| 15:00-15:50 |
Suerto Rico-Vicky on 1 partner work intermediate-advanced |
Monika ladies' style intermediate-advanced |
Ina & Zahari on 1 beginners |
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| 16:00-16:50 |
Salsa y Sueno on 1 intermediate-advanced |
Street Salseros body movement intermediate-advanced |
Sabroso Shoumen on 1 beginners |
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*For the special guest's workshops you pay additionally: € 10 for all Saturday (15:30-17:30) and € 10 for all sunday (15:30-17:30) workshops!
NOTE! The timetable is not final! The organizing team reserves the right to enter changes!
Salsa is danced by stepping on 3 consecutive beats of music and then pausing for 1 beat, then repeating. The step timing can be thought of as step, step, step, pause; step, step, step, pause. Dance teachers count the step timing as quick, quick, slow; quick, quick, slow. Each quick consumes one beat of music, each slow consumes two beats of music. Depending on how you hear and feel the music, you may start the dance on any beat of the measure you wish. Most beginners start the dance on the first beat of the measure.
The basic step of salsa dancing probably derives from the Rumba, often called the grandfather of the Latin dances. The Rumba originates from Cuba and it was first seen in the United States around 1920. Salsa dancing as we know it today was mainly developed in the Latin Quarter in New York City. Casino Rueda from Cuba has also had a big influence on the Miami style of salsa.
Something that confuses the beginner is that three different counting styles can be used. I’ll call these three styles 1) Salsa on one. 2) Ballroom Mambo, and 3) New York club-style mambo on two. In salsa on one, the break step occurs on count one, the first beat of the measure. The replace step occurs on count 2 and the slow step occurs on counts 3 and 4. In Ballroom Mambo, the break step occurs on count 2, the second beat of the measure. The replace step occurs on count 3 and the slow step occurs on counts 4 and 1. In New York Club-Style Mambo on 2, the break step occurs on count 2, the second beat of the measure. The replace step is also the slow step and this step consumes beats 3 and 4.
The cha-cha-cha is a Latin American dance. In ballroom dancing, it is increasingly popular to call the dance cha-cha.
The dance teacher Pierre Lavelle from the United Kingdom, a founder of the Latin American Faculty of the ISTD, visited Cuba in 1952 to discover mambo (some say, rumba) danced with the triple step in place of the slow one. He brought this dance idea to Europe and eventually created what is known now as ballroom Cha-cha-cha.
There are three flavors of Cha-cha-cha dance, differing by the place of the chachacha chasse with respect to the musical bar. Ballroom Cha-cha and street Cha-cha-cha in Cuba count "two-three-chachacha". Country/western Cha-cha-cha and Latin street Cha-cha-cha in many places other than Cuba count "one-two-chachacha" or "chachacha-three-four".
Guajira, a product of triple Mambo via Danzon predates all the "social" versions .The Guajira rhythm, is still used as the basis for most Cubans and Puertoricans who are of the belief, that the other versions were "anglicised" , to suit the American market. As is usual with the more authentic forms of dance, a very limited variety of steps, is used.
This dance was born in the Dominican Republic. Bachata music has four beats per measure. Three steps are taken to four beats of music. As with salsa, the step timing is three steps and then a one-beat pause.
The basic footwork pattern is three steps in one direction (side-close-side) and then a hip motion. Repeat going in the other direction. Some people call out the timing as "one, two, three, touch; one, two, three, touch." Some teachers call out the timing as, "one, two, three, lift; one, two, three, lift," while others call out the timing as, "one, two, three, bump; one, two, three, bump." The basic step is easy. As with all Latin dances, the hard part is getting the body action. Without the hip and body action, you are not dancing the bachata. Bend your knees and practice that hip bump!
Tango is a musical genre and its associated dance forms that originated in Buenos Aires, Argentina and Montevideo, Uruguay and spread to the rest of the world soon after that.
Early tango was known as tango criollo, or simply tango. Today, there are many tango dance styles, including Argentine Tango, Uruguayan Tango, Ballroom tango (American and International styles), Finnish tango and vintage tangos. What many consider to be the authentic tango is that closest to that originally danced in Argentina and Uruguay, though other types of tango have developed into mature dances in their own right.